“Vision is the art of seeing what is
invisible to others.” ~Jonathan Swift
Grateful to receive our Cast and Crew
photo from my previous (and hands down,
most difficult) television show thus far in my career, I found myself
surprisingly unwilling to strip open the envelope from my snail mail postal
carrier.
Sure I wanted to see all of the smiling
happy faces of my Crew; but as I’d put my heart and soul into attempting to
exceed expectations to the best of my abilities for two and a half seasons, I’d
missed the last week of work – our season finale. And while I knew I was in the photograph (ooh, I plopped my ass down cross-legged in
the FRONT ROW for the first time EVER to OWN my contribution to our success!),
I simply couldn’t face the closure of the Stockholm Syndrome that had held me
captive for so long!
Sure, we might still get a pick-up for
additional episodes after our cable network tests out a few pilots; or we may
be done forever as even The Suits were growing vocally tiresome of our painfully
tedious process towards the end...
Either way, the snail mail envelope
remained unopened, as did the “fifth revised shooting script” in my computer
inbox (yeah right - as if that was the end of the infernal re-writes!!!);
not to mention the recorded season finale in my TiVo.
OOF.
Triple visuals – but I simply wasn’t ready to look!
>>><<<
Toddling out to my mail box, unlocking
the 2”x2” cage and finding a singular paycheck from my glorious day on a highly
rated Network show last week (monetarily
puny as it was, since I worked maybe a whopping six hours), I must say, I
strode like a full-blown feather-expanding peacock with all of my $82.34 check (after taxes and what-not savings) in my
claw, as I re-entered my bat cave.
And as if The Universe recognized
that I was properly embracing my small fortune with all due gratitude, I
suddenly felt the need to cleanse the lenses of my glasses for a full
appreciation of the gifts bestowed upon me – and that meant both the photo as
well as the season finale of my sit-com.
(I’d include the script in my
inbox, but let’s face it – five minutes into the live Audience show, it had
already been re-written.)
Tearing open the 8x10 glossy of
roughly a hundred grinning faces, I smiled in return (as human beings are wont to do upon seeing friends and comrades),
before my first round of Semiosis Body Language Neurosis kicked in.
(OK, seriously, I’m not trying to
sound like Susie Smarty-Pants here, as I only learned the term “Semiosis” from Wikipedia
last night; defined as “any action or influence for communicating meaning by
establishing relationships between signs which are to be interpreted by an
audience”. I’m not a brainiac, but as my
friend RJ often says, we thirst for knowledge.)
But I digress!
And at first blush, there we were: all of the foot soldiers lined up in rows like
ducks at a shooting gallery, smiling stupidly for the camera as every crew
member does every single season on every sit-com – one shiny, happy ersatz
moment trapped in time to memorialize just how jolly a television family we all
appeared to be.
Yet as Photographer Diane Arbus once
said, “A photograph is a secret about a secret.
The more it tells you, the less you know.” And with that, I was off on my High Horse
named “Buttercup” to sniff out the truth!
(OK, OK, maybe not a High Horse, as “Buttercup” tends to stay low to the
ground, so let’s call him a sturdy working pony.)
Naturally, the first thing to catch
my eye was my stand-in “husband” sprawled on the floor next to me – a
well-meaning attempt at camaraderie on his part to point to the picture of our
missing co-worker Tara on my Kindle, yet an unfortunate choice of global
positioning, as my Gorgeous Actress sitting on the couch behind him immediately
shouted “what the hell is this?” as she demanded he scooch down to ensure that
she was visible from the top of her coiffed head down to her pedicured toes.
Next to arouse the snout of “Buttercup”
was the quizzical smile of one of our hard working PAs. And thinking back to the last conversation I’d
had with him, he was at the time, officiously tending to the menial task of
setting out scripts and pads of paper, along with a specified grouping of
exactly one pencil, one black pen and one yellow highlighter per person at a
Table Reading. And watching him line up
all items in a neat and orderly fashion; I happened to catch his eye.
“Four years of college!” he raised
his eyebrows with a small sigh.
As “Buttercup” continued to root
around for more truths, I realized that this could very well be an endless
journey. Most every face or posture told
a story. The slumped shoulders of our
one of our skeleton crew members who always appears on set with the genuine unbridled
enthusiasm and joy of a carefree unicorn farting rainbows (thanks for the reference, Lynnette!); the ever-so-focused Wardrobe
Dominatrix who was beaming behind enormous dark sunglasses (I’ll have what she’s having!); the (I don’t know what she does, but she smells a little bit like whiskey) lady
who feels the need to share every single detail of her holiday stories with me
after hiatus; not to mention the most under-used comedic Latino Actor (is that a voodoo doll in his hands?);
nor the Trinity of EPs who were physically connected in a creepy totalitarian
triangle.
Oy vey, what was wrong with me? Why was I so fixated? Was I suffering from Stockholm Syndrome? Was my occasional OCD manifesting itself in
this new Semiotic Body Language Neurosis for real?
Or could it be – dare I name it –
Sit-Com Post-Partum Production Depression?!?!
“Toi, toi, toi” I spat on my fingers
ala my Gorgeous Actress in a Yiddish “ritual” to fend off such evil thoughts as
she had done in one of our previous episodes.
(Anybody
see a pattern here? Hint – I’m not
Jewish.)
Frankly, I needed to get out of my
own head. And what better way than to sit
back, relax and watch the season finale that I knew absolutely nothing about! Oh, to have a cocktail, a hearty chuckle and
the warm fuzzy feeling of watching our show as Penny Q. Public, unbiased
audience viewer!
“Why is she crossing to that water
pitcher downstage left? We never
established that particular item so far downstage...” I armchair
quarterback/directed the scene in my pea-brain.
“And what’s up with the cut there?
My Gorgeous Actress is clearly delivering that joke to the “A” camera” I
poo-poohed derisively. “And what the
hell is THIS meshugas, that she’s eating
Ezekiel bread in the living room? The
plate is hidden by the flower arrangement, but all of a sudden, she’s got a
buttered slice in her hand?”
Growing a wee bit saddle-sore from
my sturdy working pony (alright, alright,
my High Horse!), I was just about to pat his flanks and send him off to
graze, when he snorted one last time.
“What’s up, Buttercup?” I wondered, rewinding
my TiVo to watch the last scene for whatever I might have missed.And there it was... I’d seen her do it a hundred times - usually at the end of an extensive interview when she was asked to pose for stills - but somehow I’d completely glossed over the obvious on television.
Perhaps I was distracted by our Cast
and Crew photo and the eerie semblance at which we’d both elected to tilt our
heads to the right (she was behind me,
mind you!); or the fact that I wasn’t present for the final episode (hey, I got a nice fat check from her for
all of my hard work last season, but “bubkes” this time around?); yet more
than likely, my Semiosis Body Language Neurosis was spot on.
With two masterfully practiced specific
facial exercises wherein my Gorgeous Actress relaxes her forehead muscles and
then poses elegantly at a well-rehearsed angle, I recognized her
signature smile that could only mean one thing – she was DONE.
(Well... at least for now!)
Looking forward,
~Opto-Mystic P